Coverbild Divine Presence
Divine Presence
Depictions of Marble in Late Gothic and Early Renaissance Painting (Trade edition)
€ 48.00
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Edited by: Karl Kolbitz
Texts by: Karl Kolbitz, Rosanna McLaughlin, Andrea De Marchi
English
December 2026, 208 Pages, 170 colored photos
softcover with flaps
230mm x 290mm
ISBN: 978-3-7757-6481-0

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10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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How do you represent the divine and the central miracles of Christianity? Divine Presence explores this question through the captivating world of marble representations in Late Gothic and Early Renaissance art. 

This groundbreaking study reveals how painters—including Fra Angelico, Bellini, Crivelli and Mantegna—transformed depictions of marble from mere decoration into a powerful theological tool. By blending naturalistic detail with imaginative color and texture, these artists created visual meditations on creation, incarnation, resurrection, and divine presence. Their pioneering use of paint foreshadows much later artistic movements and gestures; their works made the ineffable visible, inviting viewers to glimpse heaven through pigment and stone. 

The first visual study of this widespread visual phenomenon, Divine Presence offers fresh insights for art lovers, culture enthusiasts, and history buffs. Through stunning imagery, original research, and engaging texts, this book uncovers the spiritual and devotional power of painted marble in the art of the Late Gothic and Early Renaissance.

Supported by the Peter Marino Art Foundation

Karl Kolbitz is an editor and author who gained international recognition with Entryways of Milan (2017), an homage to the city's modernist lobbies and thresholds. His Gio Ponti (2021), is the most comprehensive publication on the life and work of the Italian architect and designer. Across his books, he invites readers to look again and discover new cultural, aesthetic and spiritual meaning in subjects often hidden in plain sight.
»By what paradox were the Italian painters who shaped the naturalism of the Renaissance also the same artists who indulged their whims by inventing bright and multicolored illusions of fictive marbles so rare and precious that they could never exist in nature? The spectacle offered in this book is thought-provoking at multiple levels.«
Andrea De Marchi
Art Historian
»Karl Kolbitz's book is highly specialized yet deeply compelling. It's a pleasure to see art emulating nature and on the way, as if by accident, pre-empting a large part of abstract art.«
Wolfgang Tillmans
Artist
»Mystical and strange«
Rubert Loydell
International Times
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